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Review:
This is a remarkable novel with a lot of drive and vigor, few paragraphs of filler, and a wild read. Larsson is an intelligent writer, and the continuous feel of his story and characters demonstrates a heightened skill level and the translation seems to be transparent, but as I cannot read the novel in its native tongue, I guess I'll never know.

First, I'll go ahead and toss in my "ignorant American" commentary and say that the proper nouns in their original Swedish were distracting at times. The author assumed that I knew that this name was feminine or this place was affluent, whereas I had to draw those conclusions in context. My own shortcomings, you shout? Possibly, but I would have thought a more skilled translator to be able to fix those references. Most notably: "gaol" is a prison referenced several times throughout the book, though I have no idea what it meant. At first the term seemed to be interchangeable with "jail" but then I got the impression that it was simply a forced boarding house, or "minimum security" prison, but as it was never explained, I still have no idea.

Second, I will admit that I am a stickler on plot holes and Larsson has very, very few. I did note, however, that Blomkvist and Salander seem to find each other in a very forced way: Frode needs to find a biblical researcher and thinks of the woman who performed a background check? It seemed a little contrived. I also thought Bjurman might make another appearance after his paralyzing thought, "I have to get that video", but he did not rear his ugly face (and tattooed torso!). It lead me to believe that Larsson left that door open but ran out of time to include him back into the story.

Most severe, however, is clearly the denouement. After the climax, things started to drop out of sight quickly. Personally, I didn't understand why Salander didn't want to involve the police, but I guess that's her call. I thought the plot against Wennerström was far more elaborate than it needed to be, and focused a lot on the procedural process of publishing, which I gather is what Larsson really enjoys. The whole thing seemed too long, except for the final few paragraphs, which gloss over the relationship between the two main characters and rather obviously prepare Salander for the sequel.

Where Larsson really lost the fourth star, however, was putting no effort into making Blomkvist a full character. Mikael appeared to be a narrator at times, observing and deducing, but rarely acting. He drudged up a little anger at Frode after the climax, but even that dissolves after a pleasant paycheck. Lisbeth is definitely the highlight of the book and makes it worth reading, but she can't save the sinking ship after it has sprung a leak.

Conclusion: Overall, I recommend reading it and think you'll like it, too. But I can point you to countless titles I think you'd enjoy better.

Where to buy:
This book and other bestsellers are on SALE now on Amazon